《Song Of Reproduction》歌词

[00:07:06] both: i had a little gramophone,

[00:07:06] i'd wind it round and round.

[00:07:06] and with a sharpish needle,

[00:07:06] it made a cheerful sound.

[00:07:06] and then they amplified it,

[00:07:06] it was much louder then.

[00:07:06] and used sharpened fibre needles,

[00:07:06] to make it soft again.

[00:07:06] today for reproduction,

[00:07:06] i'm as eager as can be.

[00:07:06] count me among the faithful fans,

[00:07:06] of high fidelity.

[00:07:06] high fidelity,

[00:07:06] hi-fi's the thing for me.

[00:07:06] with an lp disk and an fm set,

[00:07:06] and a corner reflex cabinet.

[00:07:06] high frequency range,

[00:07:06] complete with auto-change.

[00:07:06] flanders: all the highest notes neither sharp nor flat,

[00:07:06] swann: the ear can't hear as high as that.

[00:07:06] flanders: still, i ought to please any passing bat,

[00:07:06] swann: with my high fidelity.

[00:07:06] flanders: who made this circuit up for you, anyway?

[00:07:06] bought it in a shop? shhuuuuuuuu!

[00:07:06] oooh, what a horrible shoddy job they fobbed you off with with.

[00:07:06] surprised they let you have it in this room anyway, the acoustics are all wrong.

[00:07:06] if you raise the ceiling four feet...

[00:07:06] put the fireplace from that wall to that wall...

[00:07:06] you'll still only get the stereophonic effect if you sit in the bottom of that cupboard.

[00:07:06] i see... i see you've got your negative feedback coupled in with your push-pull-input-output.

[00:07:06] take that across through your redded pickup to your tweeter,

[00:07:06] if you're modding more than eight, you're going to get wow on your top.

[00:07:06] try to bring that down through your pre-amp rumble filter to your woofer,

[00:07:06] what'll you get? flutter on your bottom!

[00:07:06] both: high fidelity,

[00:07:06] flanders: ffrr for me.

[00:07:06] both: i've an opera here that you shan't escape,

[00:07:06] on miles and miles of recording tape.

[00:07:06] high decibel gain,

[00:07:06] is easy to obtain.

[00:07:06] flanders: with the tone control at a single touch,

[00:07:06] swann: bel canto sounds like double dutch.

[00:07:06] both: but i never did care for music much,

[00:07:06] it's the high fidelity!

[00:07:06] flanders: this is perhaps a good moment to explain that we don't normally have these things standing around here,

[00:07:06] but tonight they are recording this - stereophonically,

[00:07:06] in fact - for posterity. so wherever you're sitting now, that's where you'll be on the record.

[00:07:06] sit up nice and straight. any of you feel like rolling in the aisles or being carried out helpless with mirth,

[00:07:06] this is a jolly good night to do it! do you want to say hello to posterity?

[00:07:06] swann: hello!

[00:07:06] flanders: hello, posterity! if we sort of move around a bit, they'll use it for demonstration purposes.

[00:00:09] both: i had a little gramophone,

[00:00:13] i'd wind it round and round.

[00:00:17] and with a sharpish needle,

[00:00:21] it made a cheerful sound.

[00:00:24] and then they amplified it,

[00:00:27] it was much louder then.

[00:00:31] and used sharpened fibre needles,

[00:00:34] to make it soft again.

[00:00:38] today for reproduction,

[00:00:41] i'm as eager as can be.

[00:00:43] count me among the faithful fans,

[00:00:46] of high fidelity.

[00:00:52] high fidelity,

[00:00:54] hi-fi's the thing for me.

[00:00:56] with an lp disk and an fm set,

[00:00:59] and a corner reflex cabinet.

[00:01:02] high frequency range,

[00:01:04] complete with auto-change.

[00:01:06] flanders: all the highest notes neither sharp nor flat,

[00:01:09] swann: the ear can't hear as high as that.

[00:01:11] flanders: still, i ought to please any passing bat,

[00:01:14] swann: with my high fidelity.

[00:01:17] flanders: who made this circuit up for you, anyway?

[00:01:20] bought it in a shop? shhuuuuuuuu!

[00:01:22] oooh, what a horrible shoddy job they fobbed you off with with.

[00:01:25] surprised they let you have it in this room anyway, the acoustics are all wrong.

[00:01:29] if you raise the ceiling four feet...

[00:01:31] put the fireplace from that wall to that wall...

[00:01:34] you'll still only get the stereophonic effect if you sit in the bottom of that cupboard.

[00:01:40] i see... i see you've got your negative feedback coupled in with your push-pull-input-output.

[00:01:46] take that across through your redded pickup to your tweeter,

[00:01:49] if you're modding more than eight, you're going to get wow on your top.

[00:01:53] try to bring that down through your pre-amp rumble filter to your woofer,

[00:01:57] what'll you get? flutter on your bottom!

[00:02:01] both: high fidelity,

[00:02:03] flanders: ffrr for me.

[00:02:04] both: i've an opera here that you shan't escape,

[00:02:07] on miles and miles of recording tape.

[00:02:10] high decibel gain,

[00:02:12] is easy to obtain.

[00:02:14] flanders: with the tone control at a single touch,

[00:02:16] swann: bel canto sounds like double dutch.

[00:02:19] both: but i never did care for music much,

[00:02:21] it's the high fidelity!

[00:02:36] flanders: this is perhaps a good moment to explain that we don't normally have these things standing around here,

[00:02:39] but tonight they are recording this - stereophonically,

[00:02:43] in fact - for posterity. so wherever you're sitting now, that's where you'll be on the record.

[00:02:55] sit up nice and straight. any of you feel like rolling in the aisles or being carried out helpless with mirth,

[00:02:59] this is a jolly good night to do it! do you want to say hello to posterity?

[00:03:03] swann: hello!

[00:03:04] flanders: hello, posterity! if we sort of move around a bit, they'll use it for demonstration purposes.